My work moves across choreography, performance, dramaturgy, producing, and research. I work in dance and interdisciplinary performance, often holding creative and organizational roles at the same time.
I make work that brings movement together with text, voice, sound, and design. I’m interested in how meaning is felt and experienced, not just how it looks. My movement background is broad—jazz, contemporary, w*acking, heels, and improvisation with a focus on repetition, structure, and disruption rather than clean lines or resolution.
A big part of my practice is about shaping the conditions work is made within. For me, decision-making, access, leadership, and facilitation all actively influence the creative process rather than existing outside of it. In addition to my work from years of leadership and professional practice, including my time at the National accessArts Centre, I am currently pursuing a thesis-based MFA.
What it means to create spaces where more people can show up fully and be seen, how bodies are read onstage, and who gets access to dance and performance are the questions that keep coming up in everything I do.